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Top 5 Best Dynamic Microphones for Podcasting

Using the best dynamic microphones for podcasting, we’ll get you sounding your best and giving you an advantage over the competition.

You must be at the top of your game in order to gain an advantage over others. And considering that podcasting is an audio-only medium, you want to provide your listeners with the highest quality audio possible, and this begins with selecting the proper microphone. Continue to the article where we discuss the best dynamic microphones available.


Shure SM7B

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Due to the cardioid polar pattern, the tiny and powerful Shure SM7B produces proportionate recordings. This podcast microphone has a redesigned cartridge shock mount that avoids the appearance of external movement during podcast recording.

You may select from one of three frequency response modes: flat a global mode to play a raw record, bass roll-off an option for those who don’t want to spend time customizing proximity effect, and presence boost for those who prefer more vocals. The SM7B’s durable build makes it a perfect alternative for podcasters concerned with product lifetime.


  • Natural sound with enough bass and silky trebles
  • High and low cut amplification filters
  • Not requiring an external shock mount
  • Excellent soundproofing


  • Not located

PR-40 by Heil

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The PR 40 is a large-diaphragm, front-address microphone that is the best for home podcasting. The output level is sufficient for recording vocals and podcasts, and the lower portion of the microphone resembles a condenser.

During testing of the microphone, “P” popping was nearly nonexistent; the sound was gradually diminishing. Additionally, it should be noted that the microphone is durable and can be utilized easily to record live videos and podcasts.


  • A natural midrange and a fluid response.
  • Lightweight
  • The internal humbucking coil shield and body are made of steel
  • Large dimension of the microphone element


  • Poor pop filter

Blue Ember

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Blue Ember is a studio podcasting condenser XLR microphone for recording live video. It is designed to eliminate off-axis noise and facilitate clear speech recording. Blue Ember’s cardioid recording design efficiently reduces off-axis noise. It creates a cleaner recording, hence reducing the amount of time required for subsequent audio post-production.

When speaking into the microphone, hold the capsule parallel to the face with the logo facing you, as it captures sound right in front of the grid and not above it, as with the Shure SM58. Effective placement will enhance noise suppression away from the axis, hence enhancing clarity.


  • Absolute clarity
  • Outstanding off-axis rejection
  • XLR-portable mic
  • Superior audio quality


  • Difficult setup
  • Requires multiple additional accessories

Rode Procaster

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Rode Procaster is a dynamic microphone built for professional vocal recording, making it the perfect microphone for podcasting and postscoring. The microphone catches minute details of the recorded audio and eliminates ambient noise flawlessly.

To install this podcast microphone, a bar or microphone stand is required. The Rode Procaster is not a model that should be held in the hands. During the recording, the microphone produces a sound resembling that of a DJ mic recording, with a professional, well-controlled, and somewhat robust signal.


  • A sound of broadcast quality
  • Zero-latency jack for headphones
  • Built-in pop filter
  • Stability mount for a capsule


  • No gain control
  • omission of a microphone stand

Audio-Technica AT2035

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Due to its accurate sound reproduction, the Audio-Technica AT2035 from a German manufacturer is commonly used to record podcasts. With a switchable 80Hz high pass filter, it is possible to adjust the speech sound flexibly.

Compared to its predecessor, the AT2022, this podcasting microphone, the AT2035, is more sensitive and creates less background noise. The microphone’s sonic features include a pleasingly warm and compressed midrange and a remarkably smooth high-end frequency response.


  • Pure and balanced tone
  • Includes a pop filter and a shockmount.
  • A large dynamic range
  • Provides decent seclusion


  • Not having a hard case


dynamic microphones for podcasting

Orientational Capacity

This section shows how the microphone collects sounds from all directions. Omnidirectional podcast microphones record audio from all directions and are sensitive to background noise. These microphones are ideal for reporting and broadcasting.

Bidirectional microphones record sounds from two separate directions.

Therefore, they are perfect for podcast recording. Podcasters also like cardioid microphones, which record just front-facing sounds.

Impedance. Choose a microphone with a nominal impedance of 600 Ohm or less for podcast recording. These devices are superior at capturing sound, requiring less modifications in podcast recording software.


Frequency response is the range of audible frequencies that a microphone can detect and perceive. Before selecting a podcasting microphone, determine what you will be recording. Choose a mic with a medium or low frequency for vocals and guitar, and a low-frequency microphone for bass.


In order to choose the best dynamic microphones for podcasting for you, you must ensure that it is sensitive enough to capture useful details and durable enough to withstand daily use. Additionally, you may want to consider the aesthetic appearance of your microphone to suit your needs.

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